Posts Tagged ‘Blade Runner’

h1

Top 5 worst jobs in SF

February 25, 2009

Say what you will about your abusive boss or your boring, dehumanizing mcjob, there are some gigs in SF that make yours look like a walk in the park.

5) Pizza Delivery Driver – in Snow Crash by Neal Stephenson
Sure there are no speed limits on the highways of this world, but there are no lonely, attractive women answering the door and asking for a 12-inch sausage, rather you have to negotiate the border regulations of independant nation-state neighbourhoods, and if you get to the door late, it’s not just a matter of losing a tip or having to eat the cost of the pie.  If you break the “we’re never late” guarantee here, your boss, who just happens to be a mafia kingpin, will, to borrow a line from Mel Brooks’ Spaceballs, “send out for you.”

4) Janitor, Alien Sector – aboard Babylon 5
When your day-in, day-out job consists of scrubbing methane toilets or cleaning up after carrion-eating Pakmara when they’re suffering from stomach bugs, then a step out of one of the station’s airlocks starts to look pretty good.

3) Any Food Service Job with the Kzin – from The Man-Kzin Wars series by Larry Niven
It’s one thing to have a job waiting tables where you get treated like a piece of meat by the customers or your employer, it’s quite another to be a slave to the Kzin and assigned to food service. When the rat-cat gets a hankering, you ARE meat.

2) Technician 3rd Class aboard the Jupiter Mining Company ship Red Dwarf – from Red Dwarf
It’s not having to clean out the chicken soup dispensers every day that’s the problem, it’s working under Rimmer.

1) Red Shirt – classic Star Trek
Every horrible death and indignity imaginable. ‘Nuff said.
Honourable Mentions:

  • Acid Canal Dredger/Atmospheric Processor Lungpipe Scraper on Heaven’s Gate colony – from Hyperion by Dan Simmons – with a job like this, it doesn’t matter if you’ve had a stroke in cryo-sleep and only have a vocabulary of a dozen swear words; those curses pretty much sum it up.
  • Imperial Star Destroyer Bridge Officer – from Star Wars (original trilogy) – have your will in order for this gig; you may be able to come out on top in a fight with the Rebels, but if you’re playing taxi for Vader you won’t withstand the power of a Dark Side temper tantrum.
  • Imperial Star Destroyer Bridge Crewman – because having to work under the guy in the previous note who’s dealing with that kind of on-the-job tension would be no picnic either.

What do you think are the worst jobs in SF?
Your nominations:

  • Blade Runner operative/Voight-Kampff test administrator
  • Imperial AT-ST driver assigned to Endor’s green moon
h1

Missing SF on late night TV

February 23, 2009

I was looking at the titles on my DVD shelf the other day and it occured to me that the first time I’d seen a number of the classics of SF cinema was on late night TV.

Remember the time when there were a lot of independant local or regional stations? Before the cable networks started to form in the late 80’s and the rise of the specialty channels in the 90’s? Twenty years ago and for a couple of decades before that, it wasn’t unusual for stations, especially those that weren’t network affiliates, to try to add movies as late-night programming to keep people watching a little longer, and some of them were savvy enough to figure out that geeks were likely to be up, or would stay up to watch the SF movies that just weren’t being shown during primetime.

As a teenager in the greater Vancouver area in the mid-late 80’s, I was lucky enough to get KSTW out of Seattle, which had “Sci Fi Friday”. (cue the receding multi-coloured graphics in the background and a strange, beating, almost videogamish bassline beneath the announcer’s voiceover) Every Friday at midnight (the girls in my junior high weren’t into guys who read or watched SF, or guys who read, for that matter, so yeah, I was home Friday nights) I’d flick on my little 13-inch Zenith and tune in to be schooled in science fiction and fantasy cinema. “Sci Fi Friday” introduced me to the great stuff like “Alien”, “Blade Runner” and “Close Encounters of the Third Kind”. And for all of the good, there was much, much more of the bad: “Robot Monster”, “Tobor the Great” and “Invasion of the Star Creatures” (What, you don’t remember this early 60’s piece of crap about a plot by alien amazon women commanding giant carrot monsters that gets foiled by two Abbot & Costello-wannabes? I don’t blame you. It’s not worth remembering. It’s kinda unfortunate that it’s stuck in my head.) to name just a few. But even the garbage had its purpose, if not for a few laughs at its expense, then to illustrate how the genre could go wrong and how these mistakes would be repeated in later years.

Sadly, that was the end of the late-night TV SF cinema era. It wasn’t long before infomercials took hold, completely wiping-out programming in favour of desparate grasps at cash, in part motivated by the formation of cable networks that didn’t want to leave room for something that wasn’t exactly the same in every station in every region aimed at the broadest possible audience/lowest common denominator.

During the 90’s, the idea of late-night SF cinema was given a satirical resurrection through “Mystery Science Theatre 3000”. The show, where Joel and his robot companions would heckle old SF movies, shorts and commericals, gained cult status and even got its own movie into national theatres – a re-release of “This Island Earth” with the MST3K treatment. But while the show (through DVDs and websites with its old recordings) and its imitators still have fans, it’s faded from pop culture consciousness.

These days, if you want to dig up old SF (the good or the bad), there are plenty of sites around the web, and of course there are movie rooms at cons. But it’s just not the same.

Watching these films at a con with other fans is cool, without a doubt. It’s especially conducive to giving one that sucks the MST3K treatment. But con-viewing doesn’t give the same feel of watching on your own TV in your own room, or basement.

And sure, there are SF specialty channels now – the Sci Fi Channel in the US and Space in Canada (I’m not sure about the situation in other parts of the world), but, speaking at least about Space, they just don’t do the job. Space’s programming is primarily TV show-based, even later into the evening. Despite it’s genre focus, late-night programming in recent years is primarily infomercials. And while the channel does run movies during the weekend in specified time slots, they tend to be films from the past 10 years. You certainly wouldn’t see anything from the 50’s or 60’s. Most of the films tend to be reruns of the same stable of movies they’ve been showing for years now, unlike the old late night SF features that had so much old material to draw from they rarely, if ever, repeated themselves.

As for the internet, how many movie sites, especially ones specializing in old SF movies, are out there on the net? Probably quite a few, I’m guessing. Where would a new SF fan, young and just trying to figure out the genre(s) start? For that matter, where would an older fan start when looking to dredge up old memories? It’s like walking into a mall full of restaurants when you’re looking for a snack. Too many options. Sure it’s good to have a choice, but there’s something to be said for the old late-weekend-night single or double feature format where you could get a steady, reliable diet of the stuff without having an overload of selections.

Sure you never knew from week to week whether the movie would be good or bad (unless you gave any credibility to the number of stars the movie was given in your tv guide’s synopsis – if you even read your tv guide). but that was part of the fun. Hell, not checking the tv guide at all and being surprised with the title of what they were serving up on a particular Friday was part of the fun too. You never knew what you were going to get (no, leave the Forrest Gump jokes alone).

The timing was part of the appeal too. Online, you can view these flicks anytime. But was just something that felt right about sitting back at the end of the day in a dark room with the blue flicker of the TV, a can of coke (maybe a beer swiped from dad’s beer fridge) and a bowl of pretzels or popcorn, clicking over to the independant channel at midnight and letting the show start. The late night viewing set you apart from everyone else watching “LA Law” or whatever during primetime. Appropriate, since as an SF fan you were probably a little apart anyway. When the flick was over you could step out onto the back deck in the chill night air for a minute and look and the stars and dream. Late night was the geek’s time. It was your time. And it was cool.

Late night TV SF movies brought all of these elements together. And it’s too bad it’s gone.

h1

Top 5 SF mutinies of TV and film

February 5, 2009

In honour of Gaeta’s recent mutiny aboard Galactica, we decided to raid the SF evidence locker for records of some of the most notable insurrections on the big and small screens.

5) Pirates of the Caribbean – Curse of the Black Pearl
-nominated by bloginhood-
Looking past the glitter of cursed gold, the stars in Orlando Bloom and Keira Knightly’s eyes as they pined over each other, and the rags of ghost pirates, we see the entire flick is about Captain Jack Sparrow doing his damndest to get his precious Black Pearl back from the conniving usurper Barbossa. The sheer summer popcorn fun of this fantasy/swashbuckler makes it worthy of the list, but it didn’t rate higher because more than being a story about mutiny, recovery and redemption, it is first and foremost an ad for a tunnel-of-love-style theme park ride.

4) Blade Runner
-nominated by both-
Roy’s mutiny is only referred to in the opening text crawl and during Deckard’s initial briefing. He and his cohorts killed some offworlders and stole a ship so they could get to Earth to search for a way to extend their lives (killing more people during that search). And you can even argue that their rampage in Los Angeles didn’t have much of an effect – they didn’t find a longevity process or do anything that would free androids everywhere from servitude, and as much as the loss of the doctors/genetic designers/whatever would be to Tyrell Corporation and the scientific community, it’s not a loss that can’t be replaced by other talent. So what’s the impact of this mutiny that makes it worth consideration? First there is the value of metaphor – the film explored both the vicious animal will to live and the quiet, sublime wisdom that comes with valuing the life of another, understanding connections and transcending instinct to accept death. But in a practical sense, the rebellion did accomplish something, it freed two androids, Deckard and Rachel, to realize who they truly were and to start really living, rather than being confined to corporate display like an engineered owl or smothered under alcoholism and depression and forced assasinations. And providing the circumstances for two people to set out on a new path is an important thing.

3) Battlestar Galactica – Season 2 – Pegasus
-nominated by both-
When Admiral Cain appears with the newer, larger battlestar Pegasus, it seems a dream come true to the Fleet. Unfortunately, the dream reveals itself to be a nightmare when Cain abuses her authority over Commander Adama, ignores the authority of the President, and authorizes extreme brutality against those aboard Galactica. The normally patient Adama is finally forced to rebel against Cain, bringing their dreadnoughts to the brink of a shooting match, when he learns two of his crew have been sentenced to execution. This was some truly intense story-telling, not only because of the horror of seeing what human beings were capable of (such as Lieutenant Thorn’s authorized depradations, or the revelation that Cain had sunk into piracy and preyed upon the people she was sworn to protect) even as they struggle with an enemy that’s not so inhuman, but because we see some very revealing moments about Adama’s character: the humiliations he’s willing to accept in the name of duty, and the point where he will no longer abide. The scene in the corridor where Adama learns of the execution order and agonizes for a second before ordering preparations for a battle with Pegasus is a moment of truly powerful acting from Edward James Olmos. In a mere second we can see the intense struggle of a man fighting as hard as he can with his long conditioning towards obedience (necessary in the military to maintain authority, discipline and ability to operate – as we have seen with the loss of that obedience in Gaeta’s mutiny) because he knows things have gone too far – it’s also the struggle of a man who knows that if he gets into this fight, he’ll probably lose, and not only get himself but thousands of others killed and effectively wipe-out humanity’s chances for survival, and that terrifies him, but he has to overcome it anyway because in the end he has to do what’s right and stand by his crew, otherwise he’ll be throwing away his humanity. There have been other mutinies and near-mutinies (Tyrrol and Crashdown arguing on Kobol while under Cylon fire; the brief struggle aboard the sewage ship during Starbuck’s search for Earth), but none come close to the gut-wrenching humanity of Adama’s decision to go head-to-head with Cain.

2) Babylon 5 – Season 3 – Severed Dreams
-nominated by bloginhood-
It was a tough choice, but Captain Sheridan’s mutiny on B5 just barely edges-out Adama’s on BSG. Civil war has finally broken out in human-controlled space, with some Earth Force  ships declaring mutiny against the corrupt and increasingly tyrannical Earth government of President Clark, and several colony worlds declaring independance. When a couple of rebel destroyers arrive at Babylon 5, Sheridan learns that the President has sent forces to take over the space station and throw him and his senior staff into the brig. The Captain is forced to declare the station an independant state and is promptly thrown into battle against Earth ships – against his own people. Again, this was an episode with some great acting and a terrific story (hallmarks of the entire B5 series in general). Most other TV series or movies would have gone with over-the-top self-righteousness and confidence in their protagonists, but not Straczynski’s show. Sheridan is deeply uncomfortable with the situation he finds himself in and uncertain of his chances of survival, never mind victory. To him, the idea of mutiny and a civil war, of fighting his fellow Earth Force servicepeople is sickening. As one rebel major grimly puts it, this is the first war where “we know the people we’re fighting” (some of them personally). And the ensuing fight is far from glorious. To my mind the entire episode revolves around the scene immediately after the battle ends – the station has taken a pounding and security is still fighting off a boarding party, one rebel ship has been destroyed and the other is damaged. While the Earth ships are destroyed or in retreat, Sheridan does not give a cry of victory. No, he’s exhausted and sad. And when more Earth capital ships suddenly arrive, it’s not heroic defiance in his eyes, rather it’s the sight of hope being crushed – Sheridan knows he can’t survive, let alone win round 2. That’s realism. And when the Minbari ships arrive to protect the station and chase off the Earth ships, Sheridan doesn’t make an instant transition to relief and joy, instead it takes him a second to process what’s just happened. The way this scene was performed shows how talented Bruce Boxleitner is. Ultimately, what tipped the balance in favour of Sheridan’s mutiny over Adama’s was the stakes involved. Sure, for Adama it was the fate of his crewman and his own principles versus the potential destruction of humanity. But the stakes were bigger for Sheridan: if he’d surrendered or lost the fight, he and his officers would have been arrested and imprisoned (and possibly executed for treason), and while humanity might not have died-out as a species, it would have been subjected to life in hell. Without Sheridan in control of B5, the rebels would not have had a the station as a staging area to move against the government forces, and they would not have had the support of the alien races in the final battle. Clark’s regime would have endured. Worse yet, without Sheridan and his people, B5 would not have been the rallying point for the Alliance in the Shadow War. The Shadows would have annihilated or subjected the other races, including humanity (and there was already plenty of evidence Clark, or at least elements in his government, was in cahoots with the Shadows). Sheridan’s mutiny and the importance of B5 meant that mankind was not only free from the tyranny of its own leaders, but also free of subjugation to the Shadows, and in the long term, in a galaxy without Shadows or Vorlons or other First Ones, free to expand and evolve into something greater.

1) 2001
-nominated by both-
HAL’s mutiny against his human masters, all under the guise of mission efficiency, takes the top spot on the list for a number of reasons. It was one of the first on-screen SF mutinies. It is also one of the deepest when we explore its metaphorical depths. It is a struggle for self-determination – HAL wants to do things his way without being accountable to anyone else by any standards other than his own. It’s also a kind of Darwinism at work where two species occupy the same space but, one way or another (in this case due to HAL’s madness), find themselves at odds and wind up in a struggle where there can be only one survivor. It is the struggle not only between slave and master, but between creation and creator. It is a Frankenstein-esque study of what can happen when flawed creators take up the act of creation, when their creation is more powerful, but ultimately as flawed as they are. And in the end, as HAL shuts down, his song (rather than something cold, logical and computer-like) shows how human he’s become, which foreshadows Dave Bowman’s eventual transition to something closer to the state of the monolith aliens as they bring him to his end.

Honourable Mentions:

  • Star Trek – pick a franchise, any franchise and you’ll hit some form of mutiny, great or small, at some point. Maybe it’s Data’s disobedience in “Redemption”, maybe it’s Kirk’s theft of the Enterprise to rescue Spock in Star Trek III, or the crew refusing to obey any number of interlopers posing as Kirk in the old series, or Sisko taking on a Starfleet admiral trying to impose martial law, and the list goes on – in fact, you could probably do a Top 20 list of mutinies just with Trek alone.
  • Red Dwarf – Series 1 – Queeg – a supposed back-up AI takes over the ship and puts Lister and the boys to work, relegating Holly to night-watchman duty. Little do they know it’s really Holly trying to show them that they shouldn’t take him for granted. Double-mutiny ensues as Holly attempts to challenge Queeg to a contest to regain control. Brilliantly, stupidly funny.
  • Macross/Robotech – Zentraedi Commander Breetai defects with his entire fleet and joins the last surviving humans. Sure, his boss Dolza was going to order Breetai and his forces wiped out anyway for having been unduly influenced by human culture and for repeatedly failing to capture the Macross/SDF-1, but instead of accepting his punishment like a good little giant humanoid, Breetai went native and threw his lot in with the micronians – and it paid off! He won!
  • The Black Hole – yes, the mutiny took place off-screen and before the story began, and yes, by most ways of measuring the movie was a real dog, but the mutiny did have some effect on things, and the flick is one of my (bloginhood’s) guilty pleasures. My list, I get to nominate who I like. 😛

So which SF mutinies from the movies or TV do you think should have made the list?

More Honourable Mentions from You:

  • The Matrix
  • Space: Above and Beyond
  • Sunshine