Posts Tagged ‘Data’

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The top 10 doctors of SF

February 19, 2009

Not too long ago my family doctor announced that he’ll be retiring soon. After my initial twin reactions of “Good for him; he’s earned it” and “oh crap, now I’ve gotta find a new doctor!” (most docs with practices in this neck of the woods aren’t taking new patients – many people have to put up with the impersonal service at walk-in clinics), I got to thinking about physicians in general, and the roles they’ve had in SF. So harrysaxon and I put our heads together and came up with this list of our favourite doctors of the genre(s) in books, TV and film.

10) Tachyon – Wildcards, edited by George RR Martin
-nominated by bloginhood
Sure he had a hand in creating the wildcard virus that dealt humanity a bad hand, but this purple-eyed alien sawbones made it up to the people of his new home by setting up the Jokertown Clinic to help ease the suffering of those who survived the bug but were left with freakish disfigurements.

9) Martha Jones – Doctor Who
-nominated by bloginhood
Smart, tough, adaptable, easy on the eyes, and most importantly, able to recognize that pining after The Doctor won’t do her any good. Others may have theirs, but Martha’s my favourite among the Companions.

8 ) Tyler Dupree – Spin, by Robert Charles Wilson
-nominated by bloginhood
The world-changing events in Wilson’s brilliant novel are seen through the eyes of Dupree, but it’s not his exploits with a scalpel that are important. His bedside manner with an old friend proves to be more valuable in a story about relationships set against a backdrop where unseen forces of immense power have the Earth seemingly on the brink of disaster.

7) Clemens – Alien 3
-nominated by bloginhood
It’s pretty impressive when a supporting character is so compelling that he outshines Ripley in an Alien movie. Whether he’s trying to figure out what Sigourney Weaver’s character is hiding during an autopsy on Newt, standing up to the prison warden, or telling the story of how he lost is license and was sent to do time on a maximum security prison, Charles Dance’s performance is so absorbing that they pretty much had to kill him off so we’d pay more attention to the castaway who brought the big mean bug – that and because pretty much everybody becomes Alien chow by the end of the flick.

6) The Doctor – Star Trek: Voyager
-nominated by harrysaxon
During the long years of Voyager’s trek across the Delta Quadrant, this holographic healer did pretty much everything you can think of, from coming up with radical cures for strange alien diseases to taking a prototype ship into combat to writing a novel. Ultimately, he picked up the mantle from Next Generation’s Data of the Tin Man looking for a heart in his quest to be recognized as a sentient entity with equal rights among the crew.

5) Doc Cottle – Battlestar Galactica
-nominated by both
Sure we don’t see much of him, but when we do, every second counts and all other characters fade into the background. His crusty badgering of his patients is possibly more ferocious than Cylon bullets and is always entertaining.

4) Simon Tam – Firefly
-nominated by bloginhood
Most of the attention is focussed on his troubled little sister, but this fugitive physician is an integral part of Serenity’s crew, and springing River from the lab, he’s played an important part in exposing the government’s Miranda virus experiments and their consequences to the ‘Verse.

3) Abraham Van Helsing – Dracula, by Bram Stoker
-nominated by both
Doctor and ass-kicking vampire hunter. Without his fearlessness and expertise, Harker, Mina and the rest of their gang would have been lost and Dracula would have been gulping his way through London like a drunk in a wine cellar. Anthony Hopkins’ take on the character in Coppola’s cinematic take on the story was great. We shall not speak of Jackman’s Van Helsing flick.

2) Steven Franklin – Babylon 5
-nominated by bloginhood
Franklin’s expertise in med-lab have made him one of the finest doctors in the Earth Alliance (and possibly the Interstellar Alliance), add spy and revolutionary and you’ve got a pretty impressive resume. But what ranks B5’s chief of medical staff so high on the list is how well-written his character is. Sure, it took a season or two to find his pace, but we see eventually saw different aspects to his personality beyond that of the earnest doctor, and his is a personality that changes over the course of the series in believable ways. For someone who was so fiery in many early episodes, it was interesting to see him leave the station quietly, humbly and alone at the end when he took the new job on Earth.

1) Leonard “Bones” McCoy – Star Trek
-nominated by bloginhood
Come on! Who else could top a list like this? Bones is probably the best-known among his profession in SF, if only for his often-lampooned insistance that he’s a doctor, not a – (insert the profession/trade/craft/general labour category of your choice).

Honourable Mentions:

  • Julian Bashir – Star Trek: Deep Space 9
  • Beverley Crusher – Star Trek: The Next Generation
  • Ash – Alien (okay, he was the ship’s science officer, but he doubled as medic when he wasn’t scheming about how to kill the crew)
  • Victor Frankenstein (we weren’t sure whether it was more appropriate to classify him as a natural scientist using medical/surgical techniques to assemble his creation)
  • Henry Jekyll (again, another uncertain one – doctor or chemist?)

Your Nominations:

  • Janet Fraiser – Stargate: SG-1
  • Dana Scully – X-Files
  • 2-1B – the Star Wars franchise
  • FX series – the Star Wars franchise
  • Moira MacTaggart – X-Men
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Top 5 SF mutinies of TV and film

February 5, 2009

In honour of Gaeta’s recent mutiny aboard Galactica, we decided to raid the SF evidence locker for records of some of the most notable insurrections on the big and small screens.

5) Pirates of the Caribbean – Curse of the Black Pearl
-nominated by bloginhood-
Looking past the glitter of cursed gold, the stars in Orlando Bloom and Keira Knightly’s eyes as they pined over each other, and the rags of ghost pirates, we see the entire flick is about Captain Jack Sparrow doing his damndest to get his precious Black Pearl back from the conniving usurper Barbossa. The sheer summer popcorn fun of this fantasy/swashbuckler makes it worthy of the list, but it didn’t rate higher because more than being a story about mutiny, recovery and redemption, it is first and foremost an ad for a tunnel-of-love-style theme park ride.

4) Blade Runner
-nominated by both-
Roy’s mutiny is only referred to in the opening text crawl and during Deckard’s initial briefing. He and his cohorts killed some offworlders and stole a ship so they could get to Earth to search for a way to extend their lives (killing more people during that search). And you can even argue that their rampage in Los Angeles didn’t have much of an effect – they didn’t find a longevity process or do anything that would free androids everywhere from servitude, and as much as the loss of the doctors/genetic designers/whatever would be to Tyrell Corporation and the scientific community, it’s not a loss that can’t be replaced by other talent. So what’s the impact of this mutiny that makes it worth consideration? First there is the value of metaphor – the film explored both the vicious animal will to live and the quiet, sublime wisdom that comes with valuing the life of another, understanding connections and transcending instinct to accept death. But in a practical sense, the rebellion did accomplish something, it freed two androids, Deckard and Rachel, to realize who they truly were and to start really living, rather than being confined to corporate display like an engineered owl or smothered under alcoholism and depression and forced assasinations. And providing the circumstances for two people to set out on a new path is an important thing.

3) Battlestar Galactica – Season 2 – Pegasus
-nominated by both-
When Admiral Cain appears with the newer, larger battlestar Pegasus, it seems a dream come true to the Fleet. Unfortunately, the dream reveals itself to be a nightmare when Cain abuses her authority over Commander Adama, ignores the authority of the President, and authorizes extreme brutality against those aboard Galactica. The normally patient Adama is finally forced to rebel against Cain, bringing their dreadnoughts to the brink of a shooting match, when he learns two of his crew have been sentenced to execution. This was some truly intense story-telling, not only because of the horror of seeing what human beings were capable of (such as Lieutenant Thorn’s authorized depradations, or the revelation that Cain had sunk into piracy and preyed upon the people she was sworn to protect) even as they struggle with an enemy that’s not so inhuman, but because we see some very revealing moments about Adama’s character: the humiliations he’s willing to accept in the name of duty, and the point where he will no longer abide. The scene in the corridor where Adama learns of the execution order and agonizes for a second before ordering preparations for a battle with Pegasus is a moment of truly powerful acting from Edward James Olmos. In a mere second we can see the intense struggle of a man fighting as hard as he can with his long conditioning towards obedience (necessary in the military to maintain authority, discipline and ability to operate – as we have seen with the loss of that obedience in Gaeta’s mutiny) because he knows things have gone too far – it’s also the struggle of a man who knows that if he gets into this fight, he’ll probably lose, and not only get himself but thousands of others killed and effectively wipe-out humanity’s chances for survival, and that terrifies him, but he has to overcome it anyway because in the end he has to do what’s right and stand by his crew, otherwise he’ll be throwing away his humanity. There have been other mutinies and near-mutinies (Tyrrol and Crashdown arguing on Kobol while under Cylon fire; the brief struggle aboard the sewage ship during Starbuck’s search for Earth), but none come close to the gut-wrenching humanity of Adama’s decision to go head-to-head with Cain.

2) Babylon 5 – Season 3 – Severed Dreams
-nominated by bloginhood-
It was a tough choice, but Captain Sheridan’s mutiny on B5 just barely edges-out Adama’s on BSG. Civil war has finally broken out in human-controlled space, with some Earth Force  ships declaring mutiny against the corrupt and increasingly tyrannical Earth government of President Clark, and several colony worlds declaring independance. When a couple of rebel destroyers arrive at Babylon 5, Sheridan learns that the President has sent forces to take over the space station and throw him and his senior staff into the brig. The Captain is forced to declare the station an independant state and is promptly thrown into battle against Earth ships – against his own people. Again, this was an episode with some great acting and a terrific story (hallmarks of the entire B5 series in general). Most other TV series or movies would have gone with over-the-top self-righteousness and confidence in their protagonists, but not Straczynski’s show. Sheridan is deeply uncomfortable with the situation he finds himself in and uncertain of his chances of survival, never mind victory. To him, the idea of mutiny and a civil war, of fighting his fellow Earth Force servicepeople is sickening. As one rebel major grimly puts it, this is the first war where “we know the people we’re fighting” (some of them personally). And the ensuing fight is far from glorious. To my mind the entire episode revolves around the scene immediately after the battle ends – the station has taken a pounding and security is still fighting off a boarding party, one rebel ship has been destroyed and the other is damaged. While the Earth ships are destroyed or in retreat, Sheridan does not give a cry of victory. No, he’s exhausted and sad. And when more Earth capital ships suddenly arrive, it’s not heroic defiance in his eyes, rather it’s the sight of hope being crushed – Sheridan knows he can’t survive, let alone win round 2. That’s realism. And when the Minbari ships arrive to protect the station and chase off the Earth ships, Sheridan doesn’t make an instant transition to relief and joy, instead it takes him a second to process what’s just happened. The way this scene was performed shows how talented Bruce Boxleitner is. Ultimately, what tipped the balance in favour of Sheridan’s mutiny over Adama’s was the stakes involved. Sure, for Adama it was the fate of his crewman and his own principles versus the potential destruction of humanity. But the stakes were bigger for Sheridan: if he’d surrendered or lost the fight, he and his officers would have been arrested and imprisoned (and possibly executed for treason), and while humanity might not have died-out as a species, it would have been subjected to life in hell. Without Sheridan in control of B5, the rebels would not have had a the station as a staging area to move against the government forces, and they would not have had the support of the alien races in the final battle. Clark’s regime would have endured. Worse yet, without Sheridan and his people, B5 would not have been the rallying point for the Alliance in the Shadow War. The Shadows would have annihilated or subjected the other races, including humanity (and there was already plenty of evidence Clark, or at least elements in his government, was in cahoots with the Shadows). Sheridan’s mutiny and the importance of B5 meant that mankind was not only free from the tyranny of its own leaders, but also free of subjugation to the Shadows, and in the long term, in a galaxy without Shadows or Vorlons or other First Ones, free to expand and evolve into something greater.

1) 2001
-nominated by both-
HAL’s mutiny against his human masters, all under the guise of mission efficiency, takes the top spot on the list for a number of reasons. It was one of the first on-screen SF mutinies. It is also one of the deepest when we explore its metaphorical depths. It is a struggle for self-determination – HAL wants to do things his way without being accountable to anyone else by any standards other than his own. It’s also a kind of Darwinism at work where two species occupy the same space but, one way or another (in this case due to HAL’s madness), find themselves at odds and wind up in a struggle where there can be only one survivor. It is the struggle not only between slave and master, but between creation and creator. It is a Frankenstein-esque study of what can happen when flawed creators take up the act of creation, when their creation is more powerful, but ultimately as flawed as they are. And in the end, as HAL shuts down, his song (rather than something cold, logical and computer-like) shows how human he’s become, which foreshadows Dave Bowman’s eventual transition to something closer to the state of the monolith aliens as they bring him to his end.

Honourable Mentions:

  • Star Trek – pick a franchise, any franchise and you’ll hit some form of mutiny, great or small, at some point. Maybe it’s Data’s disobedience in “Redemption”, maybe it’s Kirk’s theft of the Enterprise to rescue Spock in Star Trek III, or the crew refusing to obey any number of interlopers posing as Kirk in the old series, or Sisko taking on a Starfleet admiral trying to impose martial law, and the list goes on – in fact, you could probably do a Top 20 list of mutinies just with Trek alone.
  • Red Dwarf – Series 1 – Queeg – a supposed back-up AI takes over the ship and puts Lister and the boys to work, relegating Holly to night-watchman duty. Little do they know it’s really Holly trying to show them that they shouldn’t take him for granted. Double-mutiny ensues as Holly attempts to challenge Queeg to a contest to regain control. Brilliantly, stupidly funny.
  • Macross/Robotech – Zentraedi Commander Breetai defects with his entire fleet and joins the last surviving humans. Sure, his boss Dolza was going to order Breetai and his forces wiped out anyway for having been unduly influenced by human culture and for repeatedly failing to capture the Macross/SDF-1, but instead of accepting his punishment like a good little giant humanoid, Breetai went native and threw his lot in with the micronians – and it paid off! He won!
  • The Black Hole – yes, the mutiny took place off-screen and before the story began, and yes, by most ways of measuring the movie was a real dog, but the mutiny did have some effect on things, and the flick is one of my (bloginhood’s) guilty pleasures. My list, I get to nominate who I like. 😛

So which SF mutinies from the movies or TV do you think should have made the list?

More Honourable Mentions from You:

  • The Matrix
  • Space: Above and Beyond
  • Sunshine